Huichol art, a matter of survival II: Authenticity and commercialization
In Part One, we looked briefly at the origins of Huichol religious and commercial art, in particular the yarn or bead paintings. The Norwegian explorer and ethnographer Carl Lumholtz left us detailed descriptions of Huichol art as he found it between 1890 and 1898. We are thus able to compare original Huichol symbolic and decorative […]
Continue Reading