The Mexican Postal Service celebrates 100 years of the Mexican Revolution and the Bicentennial of Mexico’s Independence

Mexico likes to celebrate, and this year it has two monumental events to celebrate. On the very day (September 16) of the Bicentenario, the Bicentenary celebrating Mexican independence — I leisurely looked over the collection of stamps of Mexico that I have accumulated over the past couple of decades. Celebrating independence from Spain is nothing new to […]

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© Georg Rauch

Georg Rauch: A Clear View All The Way To The Horizon

Some years ago, during a lovely spring afternoon at his Mexican home overlooking Lake Chapala, artist Georg Rauch needed something to take to a monthly gathering of artists and writers in Ajijic. While fighting for the Third Reich on the Eastern Front, he had written letters to his mother – in all some eighty-four letters […]

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The Through Line: A Journey from Darkness into Life

The Through Line: A Journey from Darkness into Life By Jay Koppelman. CreateSpace, 2010 Available from Amazon Books: Paperback Popular Ajijic photographer Jay Koppelman has two things to celebrate this winter: one, the recent opening of Studio 18, on Colón 18 in Ajijic, which features exclusively his photographs; and two, the recent publication of the first […]

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No Country For Old Men, by Cormac Mccarthy

Good Reading Cormac McCarthy is best known for his Border Trilogy, three novels set along the Texas-Mexico border, the first of which, All the Pretty Horses, is set almost entirely in Mexico, south of the Texas border. All the Pretty Horses won both the National Book Award (1992) and the National Book Critics Circle Award. A few years […]

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Ghosts of the Palace of Blue Tiles: Los fantasmas del Palacio de los Azulejos by Jorge Fernández Granados

Many readers of MexConnect have discovered these illuminating words by Octavio Paz: “In the United States the word death burns the lips, but the Mexican lives close to it, jokes about it, caresses it, celebrates it, sleeps with it, it is his favorite toy.” Those words are echoed in the translator’s (John Oliver Simon’s) introduction […]

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