Mesoamerican religion and multiverses: Part One

The idea of multiple universes or parallel worlds connected by “worm-holes” has long been a feature of modern science fiction and fantasy. However, the idea of consecutive worlds or universes preceding our present world goes back much further. Now the concept of multiverses has been taken up by such eminent scientists as the Royal Astronomer himself, Sir […]

Continue Reading
Aztec calendar stone

Mesoamerican religious concepts: Aztec symbolism, Part Three

Mexican History The Aztec Calendar Stone is one of the most important monumental works of art left to us by the Aztecs. Since its discovery in what is now the main zocalo of Mexico City, it has been studied in minute detail. Much fairly accurate information about it is available to the public via the internet and […]

Continue Reading
Aztec calendar stone

Mesoamerican religious concepts: Aztec symbolism, Part Two

Some communications “experts” claim that most of our communication is non-verbal and that we interact with one another more with signs and symbols than through the spoken word. However, it is difficult to see how these supposedly “non-verbal” signs and symbols can be adequately understood apart from language. I see an object in front of […]

Continue Reading

Huichol art, a matter of survival I: Origins

When does a tradition cease to be a tradition? Conversely, at what point in time and under what circumstances does a tradition begin? “Tradition” may be defined as “a statement, belief, or practice transmitted (especially orally) from one generation to another.”In general a “tradition” lasts a long time, but all traditions have to begin some […]

Continue Reading

Huichol art, a matter of survival II: Authenticity and commercialization

In Part One, we looked briefly at the origins of Huichol religious and commercial art, in particular the yarn or bead paintings. The Norwegian explorer and ethnographer Carl Lumholtz left us detailed descriptions of Huichol art as he found it between 1890 and 1898. We are thus able to compare original Huichol symbolic and decorative […]

Continue Reading

Huichol art, a matter of survival III: Motifs and symbolism

In Parts One and Two, we looked at certain aspects of Huichol art as it is found on the market today, especially the question of its “authenticity” and the commercialization of traditional Huichol religious symbolism and decorative art. We touched on some of the better known artistic creations, such as the colourful yarn or bead paintings and the Huichol cross […]

Continue Reading